Contemporary research in the field of Foucauldian studies on education have pointed to a growing imbrication between educational practises and neoliberal ideas. The problematization of such scenario would lead to two premises, grounded on a general hypothesis for the analysis of the educational present. The first premise: nowadays, the educational or, to be more precise, educationalizing practises—since they would not deal only with the schooling effort, but also with the diffusion of a great number of pedagogical initiatives of non-formal character—consists (...) in an efficient rationality of governing of oneself and others. The second premise is that such educationalizing movement consists not only in the expression but also in the typical modus operandi of the current governmentalization processes, which aim at a large-scale administration of the multiplicity of populations now in terms of a lifelong educatibility for the citizens. These two premises sustain the hypothesis that the present educational practises do not restrict themselves to the mere condition of reiterative apparatus of imperatives extrinsic to them, but have in fact cemented themselves as a generative locus of the veridiction/subjectivization games capable of overrunning the whole social space. (shrink)

Tendo o pensamento foucaultiano como matriz teórica, o artigo visa discutir criticamente a popularização da filosofia e seus efeitos possíveis sobre o lugar social do filósofo. A partir de um mapeamento arqueológico de variadas produções culturais de cunho alegadamente filosófico, tratou-se de analisá-las segundo determinados jogos de veridicção/subjetivação atados a uma racionalidade pedagogizante com pretensões terapêuticas e salvacionistas.

This article analyzes the theme of childhood in the films of Abbas Kiarostami in the context of the 1979 Iranian Revolution, which toppled the secular, modernizing regime of Shah Reza Pahlavi and ended in the establishment of Islamic Republic of Iran under the leadership of Ayatollah Khomeini. It pays special attention to the Institute for the Cultural Development of Children and Adolescents, or Kanun. Founded during the Shah’s regime with the objective of creating educational materials, Kanun played an important role (...) in Iran’s artistic-cultural production, both before and after the Revolution. Its cinema department, where several filmmakers started their careers, became known as the birthplace of New Iranian Cinema. This article examines how six of Kiarostami’s films, produced between 1970 and 1989, discuss the position of children in Iranian society. In particular, it considers the changes wrought by the Revolution and the founding of a new historical subject based on a different framework for childhood. After a discussion of the use of films as a source for research, three framings of childhood in Kiarostami are presented: the child on the margins of society, the child at the center of society, and the child of the Revolution. The article closes by arguing that through narrative experimentation that uses childhood as a vehicle to explore the ideals of the revolutionary process, Kiarostami’s cinema serves as an inflection point for the modalities of veridiction and subjectivation and a peculiar type of ethical-political struggle. (shrink)